Currents

  • Hunger

    Hunger

    Naked

    Hailing from the idyllic suburbs of Vienna, HUNGER embodies their own sound, as visceral and evocative as their name suggests and continues to bring it to life with a slate of new material that bests their past efforts. The immediate sounding new single “Naked” is about the inner battle and struggle we all have sometimes.

     

    “People tend to question themselves if they’re good enough, good looking or smart enough while being put into boxes from other people. Constant judgment in our society these day create a lot of pressure, especially on young people. ‘Naked’s’ message is that ‘it’s ok to be yourself’ ‘it’s ok to be weird’ ‘be who you are’ and don’t care too much what other people think about you.”– HUNGER’s Daniel Rumpel.

     

    HUNGER first formed in early 2014. Childhood friends, Daniel Rumpel and Johannes Herbst approached long-term fellow vocalist Lucas Fendrich with the intention of creating a truly dark and cinematic sound. Once they’d developed a batch of demos, the three musicians headed to the outskirts of Vienna, built up a studio in a borrowed apartment and brought their sound to life.

     

    When it came time to choose a name for their project, the trio landed on an emotionally evocative word with endless possibilities for interpretation. “‘Hunger’ is such a strong word that can be applied to so many things and really represents how we feel about music,” says Rumpel. “Nowadays everybody’s hungry for more, everybody’s searching for something new—so hunger is usually thought of as a negative,” says Fendrich. “We wanted to twist that and turn it into a good feeling. Because if you’re hungry for love, then that can actually be something very positive and beautiful.”

     

    In just a short time, HUNGER have managed to build multiple successes Already via prior single “Amused” which raked up over 2.5 million streams on Spotify, a Mitsubishi commercial that has run for the entirety of 2018, a feature on Netflix’s 13 Reasons Why, as well as festival opportunities alongside the likes of Alt-J, Phoenix, Milky Chance, The Strumbellas and Feist.

    Listen: Hunger – “Naked” (radio edit)

    Hunger – “Naked” (radio edit)

  • The Bright Light Social Hour

    The Bright Light Social Hour

    Missing Something

    The Bright Light Social Hour’s “Missing Something” EP is the Austin, TX band’s first collection of new music in three years and is out 9/28. Produced by the band, mixed by Spoon’s Jim Eno and mastered by Dave Cooley (M83, Wolf Alice, Blood Orange), the EP is a deeply personal collection of songs heavily influenced by the death of vocalist and multi-instrumentalist Jack O’Brien’s brother Alex, TBLSH’s longtime manager who struggled with bipolar disorder.

     

    “These songs capture a very confusing and uncanny turn in our lives, Alex’s descent into sudden and severe bipolar 1 disorder as well as the end of a global epoch,” O’Brien says. “To me, the music channels the schizoid joy of your world unraveling so quickly you’ve got no choice but to pull back and enjoy your beautiful, short-circuiting self, not even worrying about making sense of it all ‘cause that’s just not possible.”

     

    Known for their incredible live shows, TBLSH has performed at major festivals in addition to their own national and international touring, including Lollapalooza and Austin City Limits Festival. This fall, the band has already announced a handful of Texas dates (below), with more TBA.

     

    “No matter how much research you put into figuring out who will be the hottest new artists of each year, another act comes into your vision with an output that absolutely blows you away. Today, that band is Austin, Texas’ The Bright Light Social Hour.”—Huffington Post

    Listen: The Bright Light Social Hour – “Trip With Lola”

    The Bright Light Social Hour – “Trip With Lola”

  • Lion

    Lion

    Lion

    Following up her fiery Top 3 SubModern charting Single “Self Control”, and hot on the heels of the Londoner’s self-titled EP release, LION’s latest single is the soaring, jagged rocker “Oh No”. It simultaneously conjures Flo & The Machine and The White Stripes via her signature ferocious and raspy howl and a soaring chorus.

     

    The first time LION (aka Beth Lowen) sang in public, a woman she didn’t know approached her. “You sound like you’ve smoked 20 cigarettes,” she told her, “and drunk a bottle of whisky.” Given that Beth was 10-years-old and unsurprisingly had done nothing of the sort, she started to cry. “I thought that was a bad thing,” she recalls, laughing. “And my parents were like, ‘No, no! That’s good!”

     

    Nowadays, Lowen embraces the ferocious, Janis Joplin-esque rasp of her voice. In fact, it’s one of the reasons she chose to adopt the name LION. “Someone said I sound like a lion,” she explains, “Also, everyone says I have lion hair, and ‘Löwen’ means lions in German.” Still, declaring herself deserving of such a fierce moniker wasn’t something that came easily. “I didn’t mention it to anybody for months,” she admits. “It’s a big statement, it’s pretty extreme. But I was looking at people like Lorde, and I was like, that’s f*cking cool. And then I was like, f*ck it. So now it’s “Lion.” The stage name never feels more apt than it does when LION performs live. Her husky but powerful voice, already so potent on record, is unleashed to its full, roaring potential, as she jitters a little behind the mic, bathed in red light.

     

    Lowen doesn’t make music than can be easily compared or categorized. Each song differs from the next – though there’s one thing she hopes they all manage to achieve. “I hope people feel something,” she says, “like I do when I’m playing it. Take what you want from it, but feel. I want to make boys cry.”

     

    + Executive Produced by Linda Perry (Adele, Courtney Love, Pink)

     

    + Fiction Records partnered for Global Release (We Are Hear for North America)

     

    + BBC Radio 1 TRACK OF THE WEEK!

     

    + Strong supporting slots for Albert Hammond, Jr. The Vaccines and UK Festivals

    Listen: Lion – “Oh No”

    Lion – “Oh No”

  • Indoor Pets

    Indoor Pets

    Hi

    After a recent world debut on BBC Radio 1’s ‘Midnight Drop’, and Newly signed to Wichita Recordings, Kent, England’s Indoor Pets share their first single for the label and Now greet us This side of the pond via the instant and addictive “Hi”!

     

    Co-produced by the band’s guitarist, James Simpson and Kristofer Harris and mixed by Claudius Mittendorfer (Weezer, Ash, Parquet Courts), “Hi”’s witty, self-depreciating lyrics on top of a hook laden blast is a perfect introduction to the band’s power-pop stylings, fuzzed-out riffs and infectious melodies.

     

    “Indoor Pets pull out all the stops ensuring they pack in as many catchy hooks and jangly guitar riffs into the song as possible….a self-deprecating blast of refreshingly good fun on their exhilarating new offering”—The Line Of Best Fit

     

    “Shining power pop melody and raucous indie punk”—Clash

     

    “Sugar-doused noise worthy of conquering arenas.”—DIY

     

    “A 10/10 solid gold winner”—Dork

    Listen: Indoor Pets – “Hi”

    Indoor Pets – “Hi”

  • J Mascis

    J Mascis

    Elastic Days

    November 9th will see J Mascis“Elastic Days” upon us! A collection of songs brimming with epic hooks and subtle guitar textures that slide against each other like old lovers and snare you in surprisingly subtle ways.

     

    Like its solo outing predecessors, “Elastic Days” was recorded at J‘s own Bisquiteen studio. Mascis does almost all his own stunts, although Ken Miauri (who also appeared on “Tied to a Star”) plays keyboards and there are a few guest vocal spots. These include old mates Pall Jenkins (Black Heart Procession), and Mark Mulcahy (Miracle Legion), as well as the newly added voice of Zoë Randell (Luluc)  among others. But the show is mostly J‘s and J‘s alone.

     

    The biggest difference with this record might have to do with the drums says Mascis. “I’d just got a new drum set I was really excited about. I don’t have too many drum outlets at the moment, so I played a lot more drums than I’d originally planned. I just kept playing. [laughs] I’d play the acoustic guitar parts then head right to the drums.”

     

    “a lovely, open-hearted song that punctuates Mascis’ rich, acoustic strums with some lightning-strike electric solos.”—Consequence Of Sound

     

    “a warm, shaggy strummer that’s still a bit more visceral than most of Mascis’ recent solo stuff. He plays some triumphant, blazing electric solos in there, and his drums sound pretty great, too.”—Stereogum

     

    “Elastic Days promises to have more than a good rhythm: We’re looking forward to unexpected hooks and guitar slides that straddle a broad range of genres.”—PASTE

    Listen: J Mascis – “See You At The Movies”

    J Mascis – “See You At The Movies”

  • Big Mother Gig

    Big Mother Gig

    No More Questions

    Following up their Top 7 SubModern specialty show charting single “(Let’s Make) Compelling Content”, BIG MOTHER GIG are back with another track off their upcoming  “No More Questions” album (Out 10/12) and in the cathartic power-rocker “The Great Heist”!

     

    “We are really affected by today’s political climate and by what appears to be a fleecing of the American people. We wanted to write about what future generations would think when they would look back at this.”—BMG singer/guitarist Richard Jankovich.

     

    “….with a really aggressive, heart and soul Midwestern, Husker-Du kind of sound….”—The Current/Minneapolis (KCMP)

     

    “sure to find its way into your head”—PASTE

     

    “a blend of punk, indie and alternative”—Alternative Press

     

    “Well-thought out, highly educated lyrics….have our ears begging for more.” —Impose

     

    “Big Mother Gig take the established melodies and add to them with a cacophony of vocals that stick like an ear worm”—New Noise

     

    BIG MOTHER GIG originally formed in 1992 in Milwaukee and played across the Midwest with The Magnolias, The Hunger, PunchDrunk (who later formed The Hold Steady) and more. At their final show in 1996, a label showcase, Soul Asylum’s Dave Pirner praised the band but they soon broke up when singer Richard Jankovich moved to New York. Throughout the ‘00s, Jankovich achieved success with Burnside Project (who’s “Cue The Pulse To Begin” was the theme to “Queer As Folk” and went Top 30 in Japan) and Pocket (who’s remixes for Radiohead and Beck were praised by Pitchfork, Stereogum, Brooklyn Vegan and others).

     

    Since reforming, BIG MOTHER GIG has played with LUNA, Soccer Mommy, Peelander-Z , Alvarez Kings, The Yawpers, and most recently Gin Blossoms, among others. New members include Mike Datz (Liz Phair), Albert Kurniawan (Graham Ulicny of The Faint) and Micah Lopez.

     

    The forthcoming “No More Questions” (out 10/12), which will also feature guest appearances from Dicky Barrett (Mighty Mighty Bosstones) and Britta Phillips (Luna, Dean + Britta).

    Listen: Big Mother Gig – “The Great Heist”

    Big Mother Gig – “The Great Heist”

  • Bob Moses

    Bob Moses

    Heaven Only Knows

    Bob Moses have just unveiled the brand new track “Heaven Only Knows”! The song is the first new music from the Grammy-winning duo since their acclaimed debut album “Days Gone By” featuring their worldwide hit and Top 15 Alternative single “Tearing Me Up”.

     

    Bob Moses is the Vancouver-bred, LA-based duo of Tom Howie and Jimmy Vallance. Born from the Brooklyn underground scene in 2012, the band’s early single releases on taste-making electronic label Scissor & Thread and captivating live performances led to signing with Domino and the release of “Days Gone By”, which garnered them a pair of nominations at both the Junos and the Grammys (and a grammy win).

     

    Meshing guitar licks, dance-floor ambience and classic songwriting, the duo created a sound that appeals equally to club goers And rock fans. Bob Moses will tour North America this fall swinging through all major markets (see our Tours page)!

    Listen: Bob Moses – “Heaven Only Knows” (radio edit)

    Bob Moses – “Heaven Only Knows” (radio edit)

  • Ume

    Ume

    Other Nature

    It’s the Triumphant Return of Texas rockers Ume, back with their first new music in 4 years! “Two Years Sleep” is the first unveiling off the upcoming “Other Nature” (out 7/20)!

     

    Ume’s “Other Nature” was recorded with Grammy-winning producer/engineer Stuart Sikes (Modest Mouse, Cat Power, Loretta Lynn) over the course of 2 weeks in the band’s hometown of Austin, TX and it brings to life a deeply personal and transformative collection of songs written by powerhouse guitarist/vocalist Lauren Larson, while the world around her slept.

     

    Playing through debilitating tendonitis, Lauren teamed with longtime Ume bassist Eric Larson and drummer Aaron Perez, as well as Don Cento on synth, to bring her home demos to life. Embracing spontaneity and a new adventurous energy, the band reformed in the studio to produce their most gorgeously dynamic record yet. The result is a massive and enchanting collection of 10 songs, showcasing the strength and fragility of Lauren’s voice, more confident and defiant songwriting, more dynamic and experimental guitars, textures of synths, and a smoldering, soulful rhythm section that takes the songs beyond where Ume has been on previous records.

     

    This is the Ume’s first record since 2014’s “Monuments”. They previously released “Phantoms” on Modern Outsider in 2011 and self-released their EP “Sunshower” in 2009, but the story of Ume begins with Lauren falling in love with blasting subversive riffs as a 15-year-old self-taught guitarist in a politically charged noise punk band. Dedicated to performing like her life depended on it, Lauren’s music career took her from DIY youth run shows, like at the skatepark where she met bassist/husband Eric Larson — to performing with her guitar heroine Nancy Wilson of Heart and appearing on Anthony Bourdain’s No Reservations — to Ume playing major festivals like ACL and London’s Hyde Park with Black Sabbath.

     

    “When it comes to art, psychedelia, and rock and roll, it doesn’t get much better.”—Village Voice

     

    “A little like fuzzy shoegaze, raw garage rock and irresistible pop all rolled into one fiery package.”—NYLON

     

    “has merged the sounds of heavy rock and ethereal indie pop with deft precision, finding new ground somewhere in between Warpaint, Metric and Mogwai.”—Relix

    Listen: Ume – “Two Years Sleep”

    Ume – “Two Years Sleep”

  • Dirty Projectors

    Dirty Projectors

    Lamp Lit Prose

    Dirty Projectors are BACK Already to follow up last year’s self-titled album, And they’re heading out for the First Tour In Five Years (head to our Tours page for dates)!!! Lead single/video combo is “Break-Thru” which you can see in all its glory below (and it Truly IS just that!).

     

    “Lamp Lit Prose” (out 7/13) arrives just over a year after 2017’s self-titled “Dirty Projectors,” with Dave Longstreth’s band returning with a new album that is the yang to the yin of the 2017 effort. The songs signal a page turned for Longstreth: hope instead of heartbreak, a restorative balance.

     

    Guitars have returned to the Dirty Projectors’ world, intricate vocal harmony too. “Lamp Lit Prose” is a recommitment to the sounds and ideals of Dirty Projectors, embracing the band’s trademarks while pushing forward the sonic envelope.

     

    Produced by Longstreth at his studio Ivo Shandor in LA, the new album features guest appearances from Syd, Empress Of, Amber Mark, HAIM, Rostam, Robin Pecknold, and Dear Nora, as well as longtime DPs’ rhythm section Nat Baldwin and Mike Johnson.

    Listen: Dirt Projectors – “Break-Thru”

    Dirty Projectors – “Break-Thru”

  • Rolling Blackouts Coastal Fever

    Rolling Blackouts Coastal Fever

    Hope Downs

    Melbourne’s Rolling Blackouts Coastal Fever are thrilled to announce their debut album, “Hope Downs”! To coincide with this news, they’ve shared a new video and single, “Talking Straight.”

     

    Fittingly recorded in a house in the middle of the Northern NSW bush, “Talking Straight” hits hard with its driving rhythm and melodic, interweaving guitars, while reflecting on the loneliness of being a small person in the big universe. In singer/songwriter/guitarist Joe White’s own words:

     

    “The concept came about when I heard someone talking about the possibility of us, humans, being alone in the universe, and how sad that would be. The idea in this song is that we might be lonely, but we could be lonely together.”

     

    “Talking Straight” marks the second release of new music from the band for 2018 and following up previous single “Mainland”. The two songs collectively show how, after a pair of buzz-building EPs, “Hope Downs” is truly that album that was promised.

     

    The album title, taken from the name of a vast open cut mine in the middle of Australia, refers to the feeling of standing at the edge of the void of the big unknown, and finding something to hold on to. It’s a record that focuses on finding the bright spots at a time when cynicism all too often feels like the natural state. Rolling Blackouts C.F. are here to remind us to keep our feet on the ground—and “Hope Downs” is as delicious a taste of terra firma as you’re going to get from a rock band right now.

    Listen: Rolling Blackouts Coastal Fever – “Talking Straight”

    Rolling Blackouts Coastal Fever – “Talking Straight”

  • Father John Misty

    Father John Misty

    God's Favorite Customer

    Following up his current radio fave “Mr. Tillman” single out earlier in the year, Father John Misty is now out with his fourth album “God’s Favorite Customer”.

     

    The 10 track long player was produced by Tillman and recorded with Jonathan Rado, Dave Cerminara, and Trevor Spencer and was written largely in New York between Summer ’16 and Winter ’17.

     

    Father John Misty’s 2018 international tour schedule resumes April 28th in Cincinnati, OH for the National’s Homecoming Fest and currently runs through November 17th in Rust, DE at Rolling Stone Park. Highlights include a performance at the Hollywood Bowl with Gillian Welch on June 24th and Red Rocks with special guest TV on the Radio on August 15th.

     

    “recalls psychedelic elements from the first FJM album….vocal melody moves like a druggy, half-lidded incantation that constantly threatens to wake up into a scene that’s more explicitly unnerving, that persistent piano line working against it to give the whole thing this darkly dreamy atmosphere, a Lynchian veneer of prettiness over something more sinister.”—Stereogum

     

    “Damn, Tillman! Back at it again with the nice chorus and obtuse navel-gazing….concise and baroque” —NOISEY/Vice

     

    “dances between psychedelic piano and guitar in a gentle, slightly disoriented twirl. And unlike the the meta commentary on ‘Pure Comedy’, this song is far more self-focused, as the title suggests.” —Consequence Of Sound

    Listen: Father John Misty – “Mr. Tillman”

    Father John Misty – “Mr. Tillman”

  • Post Animal

    Post Animal

    When I Think Of You In A Castle

    The product of six friends exploring their affinity for slick riffs, pop hooks, and psychedelic flourishes, Post Animal’s newly released “When I Think Of You In A Castle” is a record that almost didn’t get made. “Before this album, we weren’t sure what the future of the band was going to look like. I was considering moving to Los Angeles and Joe [Keery] was off filming “Stranger Things”. We didn’t know where we were all going but we knew we wanted to make an album with all of us in the same room,” explains drummer Wesley Toledo. When the band – comprised of friends from childhood, the local music scene, and hometown burger joints – found the time to go to a lake house in Michigan to record, magic happened and “When I Think Of You In A Castle” was born.

     

    Post Animal have made a name for themselves as one of Chicago’s most exciting up-and-coming bands, having toured with the likes of White Reaper, Twin Peaks and Wavves. To celebrate their debut album the band have embarked on a headlining U.S. tour, including festival plays at Bonnaroo, Shaky Knees, and Lollapalooza (see below for a full list and Don’t Miss Them…seriously they are Incredible live!).

     

    Early praise for Post Animal:

     

    “upbeat…carefree rock” – Billboard

     

    “A bright and punchy bit of psych-pop, ‘Ralphie’ ‘is a promising initial preview of the album, moving effortlessly through a series of effervescent passages full of sugary hooks and guitar breaks.” – Stereogum“the next great band to come out of Chicago – wild, electrifying and, seemingly, indestructible” – NME

     

    “‘Ralphie”…showing off the band’s knack for rock that is as hooky as it is hallucinatory.” – PASTE

     

    “[on ‘Gelatin Mode’], Post Animal’s psych-pop gets drenched in sludge thanks to shredding riffs and sudden shifts in tempo” – Consequence of Sound

     

    “While the band is currently getting a boost of notoriety due to Joe’s recent acting success, we point them out not as some kind of novelty: they’re actually good…weird and ear-wormy at the same time, druggy and carefully wrought psych-pop that sounds like it should have pretty broad appeal.” – Brooklyn Vegan

     

    “Let’s get one thing straight about this psych rock band: be interested in them for the music, not Joe Keery.” – MTV

    Listen: Post Animal – “Tire Eyes”

    Post Animal – “Tire Eyes”

  • Beach House

    Beach House

    7

    Beach House (Alex Scally and Victoria Legrand) released “B-sides and Rarities” in 2017, which served as a proverbial ‘cleaning out the closet’ to pave way for a new creative process. Their approach in the creation of 7″ was rebirth and rejuvenation.  Scally and Legrand used to limit themselves to what they thought they could perform live, but this time that limitation was ignored.  Also, instead of one long studio session, Beach House recorded when inspired by batches of songs, which resulted in five mini-sessions over the course of eleven months.

     

    Unlike the last four albums, “7” didn’t have a producer in the traditional sense. Spacemen 3’s Sonic Boom (Peter Kember) became a significant force on this record by shedding conventions and helping to keep the songs alive, fresh, and protected from the destructive elements of recording studio overproduction and over-perfection.  The band’s trusted live drummer from 2016 to the present, James Barone, played on the entire record, helping to keep rhythm at the center of a lot of these songs.

     

    “The balance, once again, is everything—weightlessness and ballast, vague hopes and creeping dread, sun and shadow.”—Pitchfork

     

    “the tone is immaculate, just the right blend of messy and pristine. It’s like being forced out of a dream into a reality that’s somehow even brighter.”—Stereogum

     

    “It’s a glorious evolution.”—NPR

     

    “Like ‘Lemon Glow’, ‘Dive’ adds a slightly darker and grittier edge to the band’s signature dream-pop sound.”—NME

     

    “fits neatly into the tonal lexicon of Beach House with Victoria Legand’s regal vocals perfectly accompanying Alex Scally’s shimmering guitar licks…it seems as though Beach House are moving into a slightly intense psychedelic territory.”--NOISEY/Vice

    Listen: Beach House – “Dark Spring”

    Beach House – “Dark Spring”

  • lovelytheband

    lovelytheband

    Everything I Could Never Say....

    lovelytheband‘s habit-former of a debut single “Broken” came together on a drunken night in West Hollywood, and focuses its aim on themes of depression, anxiety, relationships and late nights spent with friends. Billboard premiered the single and it has since Already even garnered some early play on Sirius/XM’s AltNation

     

    On the inspiration behind their new single, lovelytheband frontman Mitchy Collins said, “This song is about finding someone who is just as f—d up and lost as you are, but somehow you make it work together. Everyone is a little bit broken inside, nobody’s perfect. This song is an ode to the broken ones.”

    Listen: lovelytheband – “Broken”

    lovelytheband – “Broken”

  • Superorganism

    Superorganism

    Superorganism

    Occasionally, along comes a band that Perfectly captures so much of what is thrilling about music right now! Superorganism is a collection of eight international musicians and pop culture junkies (London/Japan/Australia/New Zealand) whose “Something For Your M.I.N.D.” we’re frankly beginning to worry about since We Simply Can’t Stop Playing It!

     

    Numbering eight in total, and recruited from London, Japan, Australia and New Zealand, Superorganism currently live together in a house/DIY studio/band HQ in East London.

     

    It was in this house back in January that Superorganism had their big bang moment. Though they’d previously created music and visuals together, this was something distinctly fresh. They sent the track to their friend Orono, a Japanese student who at that time was studying at high school in Maine. Orono wrote and recorded a vocal part and pressed “reply”. What came back across the Atlantic was an intoxicating piece of idiosyncratic, technicolor pop that was “Something For Your M.I.N.D.” With that, Superorganism was born!

     

    It’s unlikely at that point Superorganism would’ve expected to hear that track played on Frank Ocean or Vampire Weekend’s Ezra Koenig’s radio shows, Or that the band’s identity would be the subject of so much speculation. Or that they would sign a deal with the legendary independent Domino label or that there’d be such demand to see the band live that their debut UK show would full London’s 700 capacity Village Underground. But over the last few months such is the trajectory of this unique band. You, my friend, are in for a treat!

     

    “The new band who’ll f*ck with your brain and turn it inside out.”–NOISEY/Vice

     

    “The part-pop group, part-cult, full hivemind bringing a sense of fun back to music.”–DAZED

     

    “a hopelessly replayable loosie…it’s trying exactly hard enough. There’s a dramatic pause right in the middle of the hook, and it makes me grin every time.”–TheFADER

     

    “The song now has a video to go along with it made up of a mix of footage that looks as gooey and eclectic as the track itself.”–Stereogum

     

    “filled with cartoonish noises, a vintage sample and a killer pop chorus. A delightfully bizarre arrival.”–NME (Best Songs Of 2017 So Far)

     

    “The supercool jam is woozy and head-nodding, with deep sludgy beats and a quirky, colorful chorus.”–WXPN/The Key

     

    + BBC Radio 1–Annie Mac’s “Hottest Record In The World”

     

    + Notable Fans Singing The Band’s Praises: Josh Homme, Vampire Weekend, Gorillaz, Frank Ocean

    Listen: Superorganism – “Everybody Wants To Be Famous”

    Superorganism – “Everybody Wants To Be Famous”